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Man Ray was a major cultural bridge between New York and Paris, between avant-garde painters, photographers, writers and filmmakers. For two crucial decades (1921-1940) his Paris studio was a meeting place for artists, dealers, models and even the nobility. Actually, Ray’s main aim was to bridge the absurd reality of pre- World War II culture and romantic anarchy, linking conscious perceptions with subconscious imagery . A multidisciplinary prophet of diversity in art, he excelled in graphics, paintings, film and sculpture. He also brought innovation to contemporary photography with his rayographs and to assemblage with his assisted ready-mades. Read the entire article following this link!

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